The Two Willy Lomans in Arthur Millers Death of a Salesman Essay

The Two Willy Lomans in Arthur Millers Death of a Salesman There ar two Willy Lomans in The Death of a Salesman. There is the present broken, exhausted man in his sixties, soon to end his life. And there is the more confident, vigorous Willy of some(a) fifteen years before, who appears in the flashbacks. One actor portrays both, readily shifting from one representation to the other. To some extent, of course, the personality remains constant. The younger Willy, although given to cock-a-hoop blustering, does admit misgivings to Linda and loneliness to Biff. And the shattered older man, in turn, occasionally reverts to his former manner of jaunty optimism. Yet the changes are great and significant. The earlier Willy could never bedevil been the idol of his teen-aged sons had he behaved in the perverse, distracted fashion of his older self. Willys agitation during his last days stems from a twofold sense of failure. He has not been sufficient to launch successfully in the world his beloved son Biff, and he no longer can meet the demands of his own selling barter. Although not all in all ignoring Linda and Happy, he is primarily concerned ab come in the once magnificent young football star who at thirty-four drifts from one temporary ranch job to the next. Willy cannot walk away from Biffsproblem, as Bernard suggests, nor can he accept Lindas view that life is a casting off. Being oer sixty, Willy is doubtless tiring physically. The attempt cases are heavy. The seven-hundred-mile drives are arduous. And many business contacts, developed over the years, are vanishing as the men of his era die or retire. Yet the worry over Biff has obviously accelerated his collapse. Actually, Willys attitude toward Biff is complex. On the one hand, t... ...ledge. But Happy is still determined to beat this racketand come out number one man. On the day of the big game, Charley ruefully asks Willy when he is going to grow up. In some ways Willy never does. His boyish warmth is , of course, part of his appeal. But his persistent refusal to face facts squarely drives him at last to a violent death. Ironically, his suicide, to him the ultimate in magnificent gestures, merely leaves Linda woefully grief-stricken and Biff more than ever sure that he had the wrong dreams. All, all wrong. Works Cited Eisinger, Chester E. Focus on Arthur Millers Death of a Salesman The Wrong Dreams, in American Dreams, American Nightmares, (1970 rpt In clc. Detroit Gale Research. 1976 vol. 6331 Gordon, Lois Death of a Salesman An Appreciation, in the Forties 1969) rpt in clc. Detroit Gale Research. 1983 vol. 26323

The Lindbergh Kidnapping Case - The Film :: Film Movie Essays

The Lindbergh Kidnapping Case - The Film1 It was August 26, 1974, when the first man to fly solo and nonstop across the Atlantic died of cancer in his dwelling in Maui. He was 72 years old and had lived long enough to be pietismped and reviled by the American public. During the 18 months between the death of Lindbergh and the 1976 television receiver production of The Lindbergh Kidnapping Case, the U.S. had endured some culture crises that were certain to challenge the self-image of The American. Early in 1974 Patricia Hearst, publishing heiress, was abducted by the Symbionese Liberation Army only to resurface as Tanya, a gun-toting member of the gang of thugs. The public acknowledged the United States involvement in Vietnam at large as a massacre of unparalleled proportion. Following close on the heels of Vice-President Spiro Agnews ignoble encounter with the law, President Richard Milhouse Nixon was forced to resign from office. Even the unconquerable Babe Ruth suffered a defeat as his home run record fell to Hank Aaron. The fact that Aaron was one of the good guys is unprotested, but it still marked the passing of an era. It seemed that none of the titans were left standing. The nation was in a maelstrom of change, which left many with a sense of loss of direction and purpose. So perhaps it comes as no force that a cropped and bloodless version of Charles Lindbergh should appear on television, a medium that was swiftly becoming a changeling for reality. America had had enough of real people. She was modeling about for an icon, an inspiration, and a hero. It was a time for artifice and selective historical memory. 2 So precisely where does the film enlighten and where does it mislead? The very opening department gives us a glimpse of the excitement and unmitigated adulation heaped upon Charles Lindbergh with the completion of his successful transatlantic flight. That Lindberghs success was as much a reckon of luck and favorable wi nds as it was planning and talent is well known among historians. While the crowds roared their approval, experienced navigators were astounded that the daring young man had crossed the Atlantic with little more than a compass and a favorable wind. The few-filmed moments of crowds and tickertape parades only suggest the magnitude of the celebrity that was incurred by Lindbergh and the enduring quality of hero worship that he experienced.

Shakespeares Hamlet - Horatio, Hamlet’s Dearest Friend Essay -- GCSE

Horatio hamlets Dearest Friend In Shakespeares tragedy Hamlet there are many characters who can be accuse of many sins exactly not Horatio. Rightfully Hamlet compliments Horatio on his nobility and dignity he is indeed a faithful friend. This essay depart highlight this ideal friendship as part of a general consideration of Horatio. Cumberland Clark in The Supernatural in Hamlet describes Horatios reaction when the prince intends to draw the ghost Hamlet addresses the spirit, which beckons him to follow it. Horatio tries to dissuade the willing Prince, for ghosts were credited with the vile intention of enticing men to their self-destruction (I.4.69-74) What if it tempt you toward the flood, my lord, Or to the dreadful lift of the clif That beetles oer his base into the sea And there assume some other horrible form, Which might deprive your seovereignty of reason And draw you into madness? . . . Hamlet obeys the Ghosts command to follow him, ignoring the protest of Horatio , who is much relieved, on coming up with him later, to find him safe (101). Who is the plays historian? none other than Horatio. In the first scene Horatio gives a detailed history of what has gone before regarding King Hamlet Our last king, Whose image even but now appeard to us, Was, as you know, by Fortinbras of Norway, Thereto prickd on by a most emulate pride, Dared to the combat in which our valiant Hamlet-- For so this side of our cognize world esteemd him-- Did slay this Fortinbras who by a seald compact, Well ratified by law and heraldry, Did forfeit, with his life, all those his lands Which he stood seized of, to ... ...on Frank Cass & Co., Ltd., 1964. p.14-16. http//www.freehomepages.com/hamlet/other/essayson.htmdemag-ess N. pag. Pitt, Angela. Women in Shakespeares Tragedies. Readings on The Tragedies. Ed. Clarice Swisher. San Diego Greenhaven Press, 1996. Reprint from Shakespeares Women. N.p. n.p., 1981. Shakespeare, William. The Tragedy of Hamlet, Prince o f Denmark. Massachusetts Institute of Technology. 1995. http//www.chemicool.com/Shakespeare/hamlet/full.html West, Rebecca. A Court and World Infected by the Disease of Corruption. Readings on Hamlet. Ed. wear down Nardo. San Diego Greenhaven Press, 1999. Rpt. from The Court and the Castle. New Haven, CT Yale University Press, 1957. Wilkie, Brian and James Hurt. Shakespeare. Literature of the Western World. Ed. Brian Wilkie and James Hurt. New York Macmillan Publishing Co., 1992.